Diversity in Learning
Posted by Chris on 28th January 2008
I didn’t write this, but I enjoyed reading it and wanted to share it. It comes straight from mouth of Seymour Papert, one of the most influential thinkers of our time. This quote comes from a speech Papert gave, and is worth reading the whole thing.
“School as we’ve known it is based on an assembly-line model. And the assembly line was a great invention when Henry Ford made it. And the school might have been a great invention when it was made, but it is an assembly-line model. You come into school, you’re in the first grade, in the first period of the day. You do what the first chapter of the textbook says. You go to second period, third period, second grade, third grade. It’s an assembly line; at each point some new pieces of knowledge are put in.
Why we did this was because we had only such primitive knowledge management technology as chalk and blackboard–and even printing is inflexible, impersonal. With our new forms of knowledge technology, there is no reason why we should have the assembly-line model. There is no reason why we should segregate people by age, rather than bring together people who share an interest, who share a style of doing things, who can do things in common.
When we break away from our mental blinkers enough to be able to throw off the idea that math means adding fractions and this other stuff that we learned in elementary school–which nobody ever does–we spend all that expensive money, and time, and frustration, and psychological damage for the people who don’t take to it, in order to program our children to do what a $2 calculator could do better.
We will break away from this one day. We will allow people to learn by following the things they believe in with passion and interest. They’ll learn more deeply. No, they won’t all learn the same things, but we don’t need them to learn all the same things. We want them to be diverse. We want them to be able to do different kinds of activities and bring different points of view.
But in order to do this, we have to break away from this idea that by a token presence of technology–which is all that a pencil in every classroom, or a computer in every classroom, or an Internet connection in every classroom, can be.
We have to break away from that, accept the fact that we have to give every child–not just one maybe, maybe several, but at least one–personal computer to be his or her own thing, to be used not to follow a curriculum, but to follow creative, personalized, diverse learning. That is possible. I think it’s just obscene to suggest that the richest country in the world can’t afford it.”
Posted in Children and Learning, Schools, Social Change | 1 Comment »








Today is Australia Day here in Down Under land. It celebrates the arrival of the first fleet into Botany Bay, marking the beginning of white mans’ occupation of
Enter the world of Creative Commons. Creative Commons, or CC for short, was launched in 2001 and is a licensing model for defining how an artistic or intellectual work may (or may not) be used. It sits in that void between the restrictive copyright model and the free-for-all that is the Public Domain. Too often people assume that because they found something on the Web that they have carte blanche to use it any way they like. Not so. By default, every creative work is instantly and automatically covered by copyright as soon as the author creates it so the right to borrow, steal, reuse or adapt these works is automatically forbidden. Aside from the sometimes vague notion of “fair use” and some specific exceptions, you are generally NOT entitled to reuse someone else’s work without their express permission. Added to the sometimes seemingly illogical restrictions that copyright imposes are the significant variations in the way copyright law is applied from country to country, providing a recipe for general confusion about what you can and can’t do with someone else’s work.
If you look back the the development of art, architecture, design, cinema or literature of the last century, much of it was shaped by the ability to build on the work of those that went beforehand. Impressionist artwork inspired the Post-Impressionists, which in turn inspired others to create the movements of Cubism, Fauvism, Expressionism, Surrealism and Dada. Each of these movements was built on the ideas and work of those that preceded it. As Picasso noted, “Good artists copy, great artists steal”. Some of the most influential works of art in the last century were only possible because the artists were able to stand on the shoulders of those who came before them and build on their ideas. Some, like Marcel Duchamp, were able to change the course of artistic history with acts as simple yet profound as painting a moustache on Michaelangelo’s Mona Lisa, causing an entire generation of artists to deeply question the notion of what art was really all about. Indeed, the very notion of appropriation - using the work of those that came before you as a basis for you own work - is a fundamental characteristic of Post Modernism. And you have to ask yourself, if the notion of copyright as we understand it today had existed in the earlier part of this century, would we have had any of this intellectual and artistic explosion of ideas? Or would Picasso have been threatened with legal action after painting